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"Takoma Park resident Mark Sylvester is blessed with unusual musical talent. He plays acoustic guitar, fretless and upright bass, banjo and mandolin with astounding proficiency. "Urban Nocturne" showcases my favorite aspect of Sylvester's performances, his ability to sound melancholy and playful simultaneously."
- WashingtonPost.com
"The untimely death of Michael Hedges in 1997 cast a long shadow over the music community. Thankfully, guitarists like Maryland's Sylvester are keeping Hedges' sound alive in blends of neo-classical, folk, and jazz. Sylvester's crisp, tender playing is particularly adept at drawing out folk melancholy."
- c|net editor's review
"With his debut recording, Mark Sylvester gives us a gift of music. These are mesmerizing melodies, presented with a subtle virtuosity, which humbly focuses attention on the quiet beauty of each piece rather than the remarkable skill of the artist.
- Takoma Voice
"[American Gypsy]...is fairly faithful to the wonders Mark Sylvester does onstage live and solo. I rank it at the top, along with a favorite by Robin Bullock and Steve Baughman's profoundly beautiful Celtic Guitar Summit.
- Ron Goad, concert organizer and SAW board member
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Versatile Crocodile
"Mark Sylvester's first solo album dips into a lot of pudding jars, and thus its classification here as "Classical" is entirely misleading. The album is a stunning mix of styles and types of composition, including acoustic rock, folk, world (whatever that means), classical, and styles which until now had only existed in some higher Platonic realm. Each carefully composed original tune has a different flavor, from the hum-strumming goodness of "Caravan" and "How We Go On" to the hilarious romp of "Dance of the Misfits." "American Gypsy," in three parts, is a contemplative epic that manages to weave ever more complex themes together, laying out a life in song. "Night" is one of the most stunningly beautiful compositions I've ever heard, the melody like rain sliding down a window. It's also great to see Sylvester's compositional skills branch out with "Sarabande," a haunting classical piece, and "Alchemy," which sounds like an Egyptian oud composition. He's a more melodic Leo Kottke, a more hammy Hamza El Din, a less pretentious Steve Howe, a more soupy Soupy Sales. Overall, an acoustic journey with a depth and variety rarely heard. Check out his work with Tree Surgeons, too..."
- Michael "Zoot" Heyman
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